Tricolor Light
Studies in color, shadow, and chance
White light, as the human eye understands it, is composed of equal parts red, green, and blue. By isolating and recombining these colors in the studio, I can paint with light itself—an intentionally unstable palette that resists full control. In these portraits, shadows split and recombine, drifting in color around the body and allowing chance to shape the image as much as intention.